Tom Benton's (1930-2007) artwork combined architectural designs with abstract forms and organic images. Benton created a number of limited edition fine art prints in the 1960s and 1970s using abstract forms and organic themes. He drew upon his career as an architect, the strong influence of Eastern art, and artists such as Mark Rothko and Katsushika Hokusai. Benton incorporated Eastern symbols including calligraphy, sunsets and spirals. A solitary dove also became an integral element in his art, symbolizing peace and the spirit of man.

Benton frequently used the circle as a symbol of natural progression from his study of Eastern art. The circle, with its implied perfection, became a consistent element in his later work. He also incorporated natural forms such as waves and mountains as well as geometric shapes to add depth and dimension to his art.

Dabbling in the political, he even designed the campaign poster for Hunter S. Thompson's unsuccessful bid for Sherrif of Aspen, CO.  Benton's artistic influences include the great Oriental artist Hokusai, Paul Jenkins, Mark Rothko and Morris Lewis.

This particular triptych, The Wave,  comes from 1979, measuring 46"x30" at each section, and 138"x90" for the entire triptych.  Encased in plexiglass.  #30/125.  Hand signed and numbered.