Baltimore artist Cornel Rubino has been a regular contributor to The New Yorker for 10 years. His works are in numerous international corporate and private collections and in the collections of the High Museum of Art and the Museum of Contemporary Art of Georgia, Atlanta; P.S.1 and the Museum of American Illustration, New York; Museo del Palazzo Strozzi, Florence, Italy.

A winner of numerous Society of Publication Designers and Communication Arts Awards, Rubino has created posters for such clients as the Walters Art Museum in Baltimore, the American Institute of Graphic Artists, International Habitat for Humanity, the High Museum of Art and the Atlanta Symphony.