Gene Krupa autograph on London House note card.


Item Number: 237

Time Left: CLOSED

Value: $600

Online Close: Jun 21, 2009 10:00 PM EDT

Bid History: 0 bids


Description

Gene Krupa autograph on London House note card.


Eugene Bertram Krupa was born in Chicago, Illinois, the youngest of nine children in the family of Bartlomiej Krupa and Anna (née Oslowski) Krupa. His father was an immigrant from Poland, and his mother was born in Shamokin, Northumberland County, Pennsylvania; his siblings were Clarence, Eleanor, Casimir, Leo, Peter and Julius.


Krupa began playing professionally in the mid 1920s with bands in Wisconsin. He broke into the Chicago scene in 1927, when he was picked by MCA to become a member of "Thelma Terry and Her Playboys", the first notable American Jazz band (outside of all-girl bands) to be led by a female musician. The Playboys were the house band at The Golden Pumpkin nightclub in Chicago and also toured extensively throughout the eastern and central United States.


The London House was a jazz club and restaurant in Chicago located at the corner of Wacker Drive and Michigan Avenue, in the London Guarantee and Accident Company building, 360 N Michigan. It was one of the foremost jazz clubs in the country, once home to such luminaries as Oscar Peterson, Ramsey Lewis, Dave Brubeck, Marian McPartland, Cannonball Adderley, Erroll Garner, Ahmad Jamal, Nancy Wilson and many others.

Special Instructions

 


Krupa made his first recordings in 1927, with a band under the leadership of banjoist Eddie Condon and "fixer" (and sometime singer, who did not appear on the records), Red McKenzie: along with other recordings beginning in 1924 by musicians known in the "Chicago" scene such as Bix Beiderbecke, these sides are examples of "Chicago Style" jazz. The numbers recorded at that session were: "China Boy", "Sugar", "Nobody's Sweetheart" and "Liza". The McKenzie - Condon sides are also notable for being some of the early examples of the use of a full drum kit on recordings. Eddie Condon describes what happened in the Okeh Records studio on that day (in 'We Called It Music' - pub: Peter Davis, 1948):

Donated by

Barb Tomko